
Nox Aurumque
April 29, 2009Nox Aurumque (Night and Gold) is the piece that just received its premiere in Minneapolis last month. As the name implies, it is sort of a ‘companion’ piece to Lux Aurumque (Light and Gold).
In writing it, I wanted to echo some of the musical material in Lux Aurumque, while at the same time filling it with themes from Paradise Lost. I asked Charles Anthony Silvestri (Sleep, Leonardo Dreams, Lux Aurumque, Her Sacred Spirit Soars) to write me an original poem in Latin, and as usual, he knocked it out of the park. Here’s the translation:
NOX AURUMQUE
Gold,
Tarnished and dark,
Singing of night,
Singing of death,
Singing itself to sleep.
And an angel dreams of sunrise,
And war.
Tears of the ages.
O shield!
O gilded blade!
You are too heavy to carry,
Too heavy for flight.
Gold,
Tarnished and weary,
Awaken!
Melt from weapon to wing!
Let us soar again,
High above this wall;
Angels reborn and rejoicing with wings made
Of dawn,
Of gold,
Of dream.
Gold,
Singing of wings,
Singing of shadows.
Besides using the ‘breathing’ gesture from Lux (crescendo for four beats, decrescendo for three, rest for one), I used the ‘longing’ theme from Paradise Lost. Here’s an example of that theme from the beginning of Little One, the song that opens Act II of Paradise. The cello plays the theme as underscore:
I also heavily quoted Close Your Eyes from Paradise Lost (which in turn quotes Water Night… isn’t this fun?):
I used a ‘light/dark’ chord for the words ‘war’ (bellorum) and ’shadows’ (umbrarum). This chord is really the very first thing I wrote for Paradise Lost, way back in January of 2001:
And finally, I quote the ‘betrayal’ theme from Paradise Lost. The cello plays it here (the descending octatonic line at the end of Eldest of All):
Here’s a nice video of the premiere of Nox Aurumque, performed by VocalEssence and the St. Olaf Choir. After you start the playback, make sure you hit the HQ button (
) for highest quality.

Oh my goodness.
I may have just seen light I’ve never seen before.
Thank you.
This is a wonderful song, and I was lucky enough to be able to hear it done live! I was in the High School Honor Choir. But this is an amazing piece, and keep up the good work.
Beautiful! I absolutely love hearing your new pieces. Well done, as always!
Phenomenal.
Another great piece of work from you. I had the honor to work on your companion piece “Lux Aurumque” 2 years or so ago and that piece changed my entire viewpoint on choral music. I would love to have the honor to perform this one as well sometime in my life. You are my favorite contemporary composer and i will enjoy hearing how your next works of art turn out.
that was amazing i really want to know when i can get the sheet music oh and new fav on youtube
I can not get enough of your music! The music that you write lives and breathes and it’s what I’ve heard in my mind ever since I first began learning music at 7yrs old. It touches my soul and it pushes me to continue working hard to be a choral conductor! Thank you!
I like it, especially being a soprano, but I still like Lux better.
Wierd, usually having a chord with both the major and minor 3rd – the D, F, F#, A for example – sounds really horrid but somehow you’ve made it wonderous. Of course if anyone could, it would be you.
Thank you so very much for posting this! I had the privilege of performing Lux Aurumque and can only hope that I have the privilege of performing this one as well. Your music honestly does inspire me! Thank you for sharing your gift!!
Brilliant, brilliant, brilliant!
Thank you.
D minor, I know why you picked that. Saddest of all keys. People weeps instantly when they hear it. Nice job!
cant wait for a published version..will have to add it to my collection for sure!
You defy expectations, sir. Hopefully you won’t consider it an insult if you inspire other composers who may hear things similarly different, like you do. Beauty in the dissonance. What would an internship/understudy/apprenticeship with you look like? HA!
I’ve been looking forward to this for weeks–ever since you mentioned that you had a new work coming out.
And thanks for the description of the writing process! That’s invaluable to an aspiring musician/composer!
Yay, tenors got another otherworld mediant
I so adore the superimposed harmonies (‘light/dark’). Now if you grow accustomed to two, I wonder how many altogether you could have. At this level of clarity.
I didn’t know if another choral piece could touch me as much as “Lux Aurumque” until I was completely transcended by “Nox.” Bravissimo, Mr. Whitacre.
Please promise us you will also transcribe this gem for wind ensemble.
I almost feel foolish calling myself a composer when I listen to this, but at the same time, I feel a desire to write music more than ever. Thank you so much for your constant inspiration.
Having had Lux Arumque as my first taste of your work, I was a little worried by the concept of this piece. How wrong I was!! Wonderful and beautifully sung too. I had the pleasure of performing alongside Vocal Essence when they visited the UK, in a radio broadcast in honour of the 60th birthday of Stephen Cleobury. They sang brilliantly then and it was great to hear them here. I would wish you luck for the future but I really don’t think you need it!
All the best
Jamie W. Hall -BBC Singers (Bass)
This is amazing. Can we expect a Wind arrangement anytime soon?
Wonderful, Eric. Just super, and I like the way Lux finds its little elegant way into this… and those major chords clashing with minor: wow! When will this be published, I need to put this under my conductor’s nose now!
I mentioned this in an earlier comment, Eric, but I really believe this is one of your best yet. Your use of polytonality is incredibly sophisticated. Thank you for describing the process a bit as well. Brilliant.
Nox Arumque is absolutely phenomenal. It is my favorite of your works. I listened to it for the first team not but last night, but it wasn’t just listening. It was an experience in and of itself. Thank you for your amazing talent and beautiful songs.
Stunning piece. My second favorite behind Lux (though I may be biased, having had the privilege of both playing and singing it). Keep up the incredible work.
Thank you so much for sharing this with all of us. I only came across this blog today, and have been entertained thoroughly through feats of music, jokes, and even that amusing Italian Spiderman. I’ll do my best to control my gushing (I made a bit of a fool of myself when my admiration got the better of me during a workshop with you in the summer of 2008 in LA ((Cantiamo!)), ) but I definitely look forward to following this blog more often. You have god-given talent, and it means the world that you share it with the rest of us.
You’ve done it again, Whitacre! Another extraordinary piece. It really is wonderful what your music invokes. You have a natural gift like no one the world has ever seen before, and I am privileged to just be around and singing during your time. Thank you for writing, and never stop!
Though I understand that everyone is entitled to their opinion on music, I don’t understand why there seem to be a number of people comparing “Lux” and “Nox” as if they could truly be compared to each other as being better or worse. I believe they are pieces that not only work off each other, but also create a powerful, yet sometimes subtle contrast — like night and day. Though both pieces are definitely beautiful as stand-alone works of art, now they may also go hand-in-hand to show the contrast of light and dark, as they have clearly done for so many. I wouldn’t be surprised if choirs began performing the two in succession, as though they truly are inseparable as companion works.
Another breath-taking piece!!! Congratulations, Eric. The Swell at around 4:00 minutes in is particularly lovely. Thanks for pointing out those trademark moments. It was fun to listen for them. Your followers really can’t get enough of your work. Thanks for sharing your talents.
So whennnnnn…is the sheet music for sale?
I just caught the video of the premiere of the song… the song struck my heart unlike any other choral work has before! I was entranced by the utter beauty, and by the familiar passages. My goodness, I cannot wait to get my hands on the sheet music and sing this beautiful song.
Very well done, sir! Congratulations on another massive success.
When will it be published? In time for the fall?
Hi Eric,
I hope I didn`t miss it at any other place – is the piece going to be published in the nearer future?
We (www.ivocalisti.de) have just come back from the International Competition in Cork (www.corkchoral.ie) where we met the BYU Singers – and now even more want to sing your music.
Best regards from
Hajo
Simply amazing!
I had the chance to perform Lux Aurumque last year, in my high school’s choir, and it was an incredible experience. I love the song, and it’s the one that made me discover Eric Whitacre. Since then I’m a fan. And now, Nox Aurumque. Wow.
How can I possibly say something else then wow? Is there some higher word to describe the way I feel, more than wow? A feeled, intense and deep wow. The one I say rarely. For a song as magnificent as Nox Aurumque, there is Thank you. Thank you for sharing this song with us
!
And bravo!
Mr. Whitacre, I am consistently and constantly blown away by the amazing beauty and complexity of your work. You are truly a genius of dissonance and consonance and an absolutely outstanding artist. Thank you for brightening my life through your music.
Will you be making a band version of this song as well?
I’ve been reading through the posts here and I can see many people have beaten me to the question. “Are you going to transcribe this piece for Wind Ensemble as well?” I HOPE THE ANSWER IS YES! (Not many composers can write good lines in the Euphonium part like you can!) This work is amazing and soul stirring. Once again, you have lifted us out of the shadows and into the light. Thank you so much for everything you have done for this world with your music.
Hi Eric, this is Bia, from Brazil. I hope you remember me from the conducting masterclass here in 2006. At that time you’ve sent most of your “a cappella” compositions to me and I bought all the other ones (oh, I am really very fond of your music). I love this new song, it’s amazing, like all the others. I will have the chance to conduct an entire concert with your songs next year and I would love to include this new one. When will it be published?
Forget the band version! Transcribe it for strings! We orch dorks are left out! All we have is October and Water Night!
I’m half joking of course. It would be awesome to have both orchestra and band versions of Nox. But still.
This song is gorgeous. I can’t wait for it to come into print.
Eric,
I just heard Nox Aurumque in Arezzo, Italy, sung by Coro Citta di Roma, as part of the International Polyphonic Festival here. It is a crying shame that the United States doesn’t have an international choral festival like this. What glorious music, all week and all weekend.
The choir gave a wonderful performance of the piece, as well as 2 performances of Cloudburst the night before. What wonderful music. It was a pleasure to be among such fabulous choirs, wonderful singers, talented directors, with lots of eastern and northern european choral music, and to hear American music represented so well. Maybe our culture will come to embrace professional and amateur choirs at the level of some here.
All best,
– Sam